Category Archives: Uncategorised
	
	for the listen to live here: architecting
	
	Ferals and Ruderals: History through the Cracks
	
	Ferals and Ruderals: History through the Cracks
	
	Raffia Li on The Word and the Wound – And Now You Are Ready to Sing An Invitation to think-in-assembly
	
	Sso-Rha Kang on Tidal Gatherings: Leakage – Passage – Spillage
	
	A Queer Feedback Handbook
	
	Tidal Gatherings: Leakage – Passage – Spillage
	
	Toward a Transindividual Self
	
	horseshoe to heart / togethers in motion
	
	The Word and the Wound – And Now You Are Ready to Sing
	
	Poetry After Barbarism
	
	Codes of in/accessibility within performance practices
	
	The Word and the Wound 2 / And Now You Are Ready to Sing
	
	Wigbertson Julian Isenia on Tidal Gatherings
	
	Tidal Gatherings
	
	Curating Performance
	
	Archiving Art
	
	Cultures d’avenir
	
	Remapping the terms of performance: body, relation, and liveness
	
	Curating Performance
	
	Curating and Performance
	
	Curating and Performance
	
	The Office of Lost Gestures
	
	Affectionately Yours
	
	Affect/Production
	
	Practice-theatre
	
	Occupation – Evacuation – Transmission
	
	Appropriation and Dedication
	
	Action Unites, Words Divide (On Praxis, An Unstated Theory)
	
	Action Unites, Words Divide (On Praxis, An Unstated Theory) II
	
	On Praxis, An Unstated Theory (Writing Out Loud)
	
	Curating and Performance
	
	Curating and Performance
	
	The choreographic object and performative modes of writing
	
	Performative forms of documentation and writing
	
	Performative forms of documentation and writing
	
	Performative forms of documentation and writing
	
	Opera Corruption. On Tricks, Tricksters and Charms
	
	Sotto Voce: Tactics, Signals and Slips of Desire
	
	On Tradition – Future Ancestors: let rhythm be your guiding light
	
	Performative forms of documentation and writing
	
	On Tradition – Future Ancestors 2: Rurality and Law
	
	The Immemorial Body: Betraying Carmelo Bene in Nine Acts
	
	On Tradition – Future Ancestors 3: The Mother, The Archival, and The Symbolic Order
	
	The Word and the Wound
	
	From the Volcano to the Sea: Part II. The Feminist Group Le Nemesiache in 1970s and 1980s Naples
	
	Performing Colonial Toxicity
	
	Mrinmayee Bhoot with Samia Henni on Performing Colonial Toxicity
	
	Staci Bu Shea on Entrophy
	
	Elioa Steffen on the reading performance of How We Behave
	
	Eva Posas on Stories of Wounds and Wonder
	
	Musoke Nalwoga on ZWARTE IBIS
	
	Elisabeth Rafstedt on When Technology Was Female
	
	Prologue: Festival a/d Werf
	
	Theatricality
	
	Symposium III
	
	Performance Programme
	
	Feminist Legacies and Potentials
	
	Symposium I and II
	
	Performance Weekend
	
	‘Untitled’
	
	Crystal C Don’t Copy Me
	
	I am not half the man I used to be
	
	A READER
	
	Suppression and Distraction
	
	Gymnastics of the Foldables
	
	Afterimage
	
	Guided tour
	
	Gold
	
	News from Nowhere
	
	I am not half the man I used to be
	
	The Slapstick Mystics with Sticks and Other Things
	
	Introduction to the Possibilities of Abstraction
	
	Family Stars
	
	Bauhaus Yoga
	
	When Life Becomes Theatre
	
	Tanz auf dem Rändern
	
	MuHKA Exhibition
	
	Performance Programme
	
	De Appel Exhibition
	
	Performance Programme
	
	Reading from ‘The Meaning of Greatness’
	
	Storage Piece
	
	Tanz auf dem Rändern
	
	And still, it remains
	
	De Oorspronkelijke Verstrooiing
	
	Invasion of the Radio Listeners
	
	Opening an Uncanny Space: Radio’s Public
	
	End on Mouth
	
	End on Mouth
	
	End on Mouth
	
	Today: November 20
	
	Blackboxing
	
	The Alien
	
	The Alien (Sketch)
	
	V.S.
	
	The Alien (Sketch)
	
	1984 and Beyond, premiere
	
	1984 and Beyond (Script Reading)
	
	Exercise for Two Actors