Category Archives: Uncategorised
De Oorspronkelijke Verstrooiing
Invasion of the Radio Listeners
Opening an Uncanny Space: Radio’s Public
End on Mouth
End on Mouth
End on Mouth
Today: November 20
Blackboxing
The Alien
The Alien (Sketch)
V.S.
The Alien (Sketch)
1984 and Beyond, premiere
1984 and Beyond (Script Reading)
Exercise for Two Actors
You Don’t Love Me Yet – Leiden
You Don’t Love Me Yet – ‘s-Hertogenbosch
You Don’t Love Me Yet – Utrecht
Sara Giannini and Silvia Bottiroli in conversation
Performing Colonial Toxicity
Prologue: Symposium
Structures That Fit My Opening
Shadow Cabinet
Chillida (Forms & Feelings)
India Song
Bodies and Technologies
Facehug
Kusama Forever
Scumbags & Cie
I ON A LION IN ZION
Otolith II, Dutch Premiere
Stedelijk Insert: Just in Time
Otolith I
The Birds and the Bees
Leibhaftige Malerei
Touch and Resist
Attestation (What was it before it exploded)?
Recital of Gertrude Stein’s The Making of the Americans, Being a History of a Family’s Progress
Act
Musical
Gold
Leuven – 18 pictures and 18 stories
Seville – 18 pictures and 18 stories
Brétigny sur Orge – 18 pictures and 18 stories
Barcelona – 18 pictures and 18 stories
Bilbao – 18 pictures and 18 stories
Amsterdam – 18 pictures and 18 stories
Samia Henni and Nuraini Juliastuti in conversation
How We Behave / An Archive of Radical Practice
Bodies and Technologies
Samia Henni and Nuraini Juliastuti in conversation
Artist talk
Zwarte Ibis: The Spirit of Black Intimacies
Zwarte Ibis: The Spirit of Black Intimacies
Zwarte Ibis
Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara
Colonial Toxicity: Rehearsing French Radioactive Architecture and Landscape in the Sahara
Performing Colonial Toxicity Tour: The Testimony Translation Project
Performing Colonial Toxicity
Stories of Wounds and Wonder
Stories of Wounds and Wonder: A Companion
How to Talk with Our Fellow Animals?
Stories of Wounds and Wonder
When Technology Was Female
When Technology Was Female
When Technology Was Female
How We Behave / An Archive of Radical Practice
Excavating technologies of perception from within the vistas of modernity
Entrophy
Entrophy
“Put Your Mouth On Your Lower Back” (Oral Imaginations)
Multiplicitous Self and Sacred Subjectivity
How We Behave: An Archive of Radical Practice
The Making of Zwarte Ibis
Performing Colonial Toxicity: Testimony Translation Project
Experimenting with Entrophy
Sketching Stories of Wounds and Wonder
Pants Wear Skirts: The Erfurt Women Artists’ Group, 1984–1994
Black Revelry: A Dinner and Lecture
Black Vitality: Life, Listening and ‘The Sugar Shack’
black poesis/radical composition: Derrais Carter & Samiya Bashir
Toxic Coloniality or Colonial Toxicity?
Anemones: A Simone Weil Project
Socialist Collectivity and the Aesthetics of (Dys)Functionality
How do you embody the undead?
Maquillage as Meditation: Carmelo Bene and the Undead
Fire for Water
Collectivities Otherwise: Party Lines, Counterpropositions and (Post-)Socialist Spaces
Embodying Change
Forthcoming (Not Yet Here, But Always Been There)
Queer Pedagogy
I want the thing that you had when you wrote that keeps writing itself — unmoored and adrift and alive
Co-writing with algorithms
What is a score?
One day exhibition with Jo Baer
Scoring Liveness
Bodies and Technologies
Bodies and Technologies
So… You Want to Queer Your Pedagogy and Design a Pluriverse?
Listening to Images