Category Archives: Uncategorised

Technologies of Self-Care
Title forthcoming
Queer Pedagogy
I want the thing that you had when you wrote that keeps writing itself — unmoored and adrift and alive
Co-writing with algorithms
What is a score?
One day exhibition with Jo Baer
Scoring Liveness
Bodies and Technologies
Bodies and Technologies
So… You Want to Queer Your Pedagogy and Design a Pluriverse?
Listening to Images
Title Technologies of Perception
Commons Museums: Technologies for Covering the Wounds
قرابادين Pharmakopoeia
Performing Colonial Toxicity
Entrophy
When Technology Was Female: A Cultural Investigation of Former Socialist Europe, 1917–89 and After
Zwarte Ibis: The Spirit of Black Intimacies
Black Revelry: In Honor of ‘The Sugar Shack’
Ritual and Display
Ritual and Display
How We Behave: In Memory of Sylvère Lotringer
Anemones: A Simone Weil Project
Sea of Roses by Ana Carolina
Freak Orlando by Ulrike Ottinger
A Question of Silence by Marleen Gorris
I am not American (I love Adrian, I miss Carolee, I follow Hannah)
giftsciencearchive.net
Black Revelry: In Honor of ‘The Sugar Shack’
Black Revelry Quiet Storm Reprise
What We Do, Language Can’t Touch
Maquillage as Meditation: Carmelo Bene and the Undead
Bodies Extra-ordinaires
Anemones: A Simone Weil Project
Unknown Address
Fire for Water
Session #4
Session #3
Session #2
Session #1
SaF05
Process Event #3: COLLABORATION: How Can We Work Together?
Backstage with the Gift Science Archive
Without You I’m Nothing (Blue)
If I Can’t Dance Tonight with Youri Dirkx and Aurélien Froment: In Order of Appearance
If I Can’t Dance Tonight with S. Seibold and T. M. Díaz Nerio: the jungle is a skyscraper
If I Can’t Dance Tonight with Jimmy Robert: Figure de Style
If I Can’t Dance Tonight with Maria Pask: 4 F-ER
If I Can’t Dance Tonight with Ivana Müller: Thank You For Making Me the Artist IM
If I Can’t Dance Tonight with Emma Hedditch: When I Do This, Can You Feel Something?
If I Can’t Dance Tonight with Sarah Pierce
If I Can’t Dance Tonight with the Otolith Group: Otolith III and A Long Time Between Suns
If I Can’t Dance Tonight with Joachim Koester
If I Can’t Dance Tonight with Suchan Kinoshita
If I Can’t Dance Tonight with Luca Frei: 1012 KD
If I Can’t Dance Tonight with Olivier Foulon
If I Can’t Dance Tonight with Jon Mikel Euba
If I Can’t Dance Tonight with Keren Cytter
If I Can’t Dance Tonight with Ruth Buchanan: Circular Facts – Lying Freely Part II
Prologue Edition III: Sarah Pierce
It’s Palpable in the Air
The Question Would Be the Answer to the Question Are You Happy?
An Artwork in the Third Person
Sarah Pierce & Kevin Atherton in Dialogue
Prologue Edition III: Joachim Koester
Tarantism
Figures of Different Characters (16mm film on dvd)
To navigate, in a genuine way, in the unknown necessitates an attitude of daring, but not one of recklessness (movements generated from the Magical Passes of Carlos Castaneda)
I Myself Am Only a Receiving Apparatus
I Myself Am Only a Receiving Apparatus
Prologue Edition III: Suchan Kinoshita
Detour for an audience, two disco balls, two curtains, rear windows, a physiotherapist, a psychiatrist and a dressing table
Choreographies of Detours: Public IV with Special Skills
Light Conversations and Support Act
Detournement I-II-III
In 10 Minutes
Prologue Edition III: Olivier Foulon
The Soliloquy of the Broom (I)
The Soliloquy of the Broom (II)
The Soliloquy of the Broom
The Soliloquy of the Broom
The Soliloquy of the Broom
Prologue Edition III: Jon Mikel Euba
RE: Horse
Lock-in
Lecture on RE: Horse
Notes for the cameraperson in RE: Horse
Prologue Edition III: Keren Cytter
History in the Making: Linda Schultz Meets John Webber
Performer / Audience / Mirror
History in the Making or the Secret Diary of Linda Schultz, World Premiere
The True Story of John Webber and His Endless Struggle with the Table of Content, Dutch Premiere
Show Real Drama + Book Launch D.I.E NOW: The True Story of John Webber
If I Can’t Dance Tonight with Yael Davids: Learning to Imitate
Process Event #2: RELATIONSHIPS. Feminist Legacies, Queer Intimacies
In Good Company (Horsepower): Materials from the Gift Science Archive, 1993 – present
Maquillage as Meditation
Black Revelry Quiet Storm, #3. Frequency: Return. Repeat. Replay. This set is inspired by the atmosphere of ‘Let’s Do It Again’ by The Staples Singers
Black Revelry Quiet Storm, #2. Dispersal: This groove is long, slow, and winding. Stretch, expand, and linger