IF
I
CAN’T
DANCE,
IF
I
CAN’T
DANCE,
I DON’T WANT TO BE PART OF YOUR REVOLUTION
Bachelor course

Education is a key site through which we share in and contribute to the field of performance. We teach yearly courses at the Dutch Art Institute (ArtEZ) and the School of New Dance Development (Academy of Theatre and Dance), and guest teach and give workshops at institutions in the Netherlands and abroad.


Long-term collaboration with artists and researchers is central to our work. These endeavours take shape in artistic practice (Artist Commissions) and research into performance genealogies (Research Commissions). While these new productions follow their own unique paths, they remain in dialogue with the field of inquiry underlying each respective biannual programme.


Every two-year cycle coalesces around a field of inquiry invested in performance and performativity. Fellows lead a Reading Group to theoretically and artistically explore this material that is grounded in the social and political rituals of daily life. The gleanings are shared in Open Reading Groups guided by guests, and unpacked in conversations with local practitioners on Radio Emma and in Exhibitions presented in our Library. Finally, Readers document this dynamic and collaborative research.



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2025
Amsterdam Art Week
Jennifer Scappettone

Poetry After Barbarism

Reading & conversation

Thursday 22 May 2025

20:30hr (doors open 20-22hr)

We kick off our programme for the Amsterdam Art Week with a special evening featuring poet, translator and scholar Jennifer Scappettone, who will give a preview presentation of her forthcoming publication Poetry After Barbarism: The Invention of Motherless Tongues and Resistance to Fascism (Columbia University Press, September 2025). Following a reading from the book, Scappettone will be in conversation with fellow poet Mia You and If I Can’t Dance curator Sara Giannini.

 

Coalescing two decades of research, the book uncovers a stateless, polyglot poetry of resistance—the poetry of motherless tongues. Raised within or in the wake of fascism, authors who write this poetry occupy languages without a perceived birthright or sanctioned education; they compose in ecstatic “orphan tongues” that rebuff nationalist ideologies as well as globalization, uprooting notions of belonging ensconced in nativist metaphors of milk, blood, and soil.

 

Studying experiments between languages by immigrant, refugee, and otherwise stateless authors—from Baroness Elsa von Freytag-Loringhoven to Emilio Villa, Amelia Rosselli, Etel Adnan, LaTasha N. Nevada Diggs, Chika Sagawa, and Sawako Nakayasu—Scappettone explores how these poets practice strategic forms of literary and linguistic barbarism, proposing modes of collectivity that exceed geopolitical definitions.

 

Jennifer Scappettone is a professor of literature, creative writing, gender studies, and environmental humanities at the University of Chicago. She is the author of Killing the Moonlight: Modernism in Venice (Columbia, 2014) and the cross-genre verse books From Dame Quickly and The Republic of Exit 43. She is also the translator of Locomotrix: Selected Poetry and Prose of Amelia Rosselli.

 

Mia You is author of the poetry collections Festival (Belladonna* Collaborative, 2024) and I, Too, Dislike It (1913 Press, 2016), as well as the chapbooks Rouse the Ruse and the Rush (Nion Editions, 2023) and Objective Practice (Achiote Press, 2007). Her poems have appeared in Boston Review, Chicago Review, Cordite Poetry Review, the PEN Poetry Series, and Poetry. She currently teaches Anglophone literature at the Universiteit Utrecht and in the Critical Studies program at the Sandberg Institute.


Image description

Book cover of Poetry After Barbarism: The Invention of Motherless Tongues and Resistance to Fascism by Jennifer Scappettone. The title appears on the right side against a black background, with the colors of the letters echoing the hues of the artwork on the left half of the cover. This artwork is a watercolor fragment of an open notebook, with horizontal lines layered in turquoise, yellow, orange, and ochre. Arabic words are written along the lines, with a larger, thicker black letter at the center.


Accessibility information

  – If I Can’t Dance is located on the second floor with unfortunately no elevator

  – Seated event

  – Gender neutral WC

  – Language: English


Acknowledgements

The event is co-organized with the Utrecht University’s Network for Environmental Humanities. If I Can’t Dance is structurally supported by the Mondriaan Fund.

If I Can’t Dance
WG-Plein 881

1054 SM Amsterdam

 

Tickets: €7.50 & €5 (students)

DAI-COOP Study Group

The Word and the Wound – And Now You Are Ready to Sing
An Invitation to think-in-assembly

Conversation & Performance

Friday 23 May 2025

17–19hr (doors open 16–2hr)

A group of people sits in a half-circle on a blue-and-white patterned tiled floor in a historic space with stone columns and carpets along the walls; painted cloths hang above.

As part of Amsterdam Art Week, If I Can’t Dance’s COOP Study Group at the Dutch Art Institute The Word and Wound: And Now You Are Ready to Sing will convene in our theatre space for a three-day workshop and a public sharing on Friday 23 May. With this event, the group opens up their ongoing practice of ‘thinking-in-assembly’, a method that connects thinking and listening, deepening the relations between personal experiences and collective voice.

 

Study group tutors Snejanka Mihaylova (artist), Lisa Montan (music composer) and Frédérique Bergholtz (If I Can’t Dance), students Anna Buyvid, Nada Gambier, Patrick Freriksen, Agnese Krivade, Bel McLaughlin, Javier Rodriguez Perez, Alva Roselius, Hannah van der Schaaf, Agnese Spolverini and Mia Tamme, and If I Can’t Dance curators Anik Fournier and Sara Giannini invite you to engage in a conversation about the acts of listening and singing, focusing on their potential as reparational practices in times of grief, violence, and harm.

 

Taking its cues from the histories, methods, and reflections that the group has encountered in their process of study, the assembly will reflect on questions like: What does it mean to be ready to sing? And what does it mean to sing with others? What is the relation between the individual voice and the voice of the group? How does it connect to the body and to (bodily) memory? What are the resonances of singing (together) in the context of the present wounds? In what way does singing mobilize our critical, political, and artistic potential? How can singing be not only an emanation of sound but an embodied practice of listening?

 

The event also marks the launch of a new section on If I Can’t Dance’s website dedicated to our long and rich history in teaching workshops at the Dutch Art Institute. This Master Programme works at the intersections of theory, art, activism, performance and curating, and operates as an itinerant school with the students and tutors convening seven times per year at different places throughout Europe (and beyond) to engage in collective study. Since 2008, If I Can’t Dance has been developing workshops for the DAI, engaging over the years the lustrous course tutors Tanja Baudoin, Phil Collins, Pauline Curnier Jardin, Jon Mikel Euba, Sara Giannini, Susan Gibb, Emma Hedditch, Matthew Lutz-Kinoy, Snejanka Mihaylova, Sarah Pierce, Rory Pilgrim, Jimmy Robert, Stefanie Seibold, Hito Steyerl, Ian White, Geo Wyex, and Arnisa Zeqo. On our website we have now added an overview of our successive study groups, sharing a wealth of material, including texts, documentation, and syllabi through which you can get an impression of the different thematics, as well as the performance and pedagogical methodologies, these courses have proposed.

 

In our physical space, you will find a display of DAI student-made publications and a variety of archival material gleaned from our most recent study groups, composed by Anik Fournier and Frédérique Bergholtz, as well as a reading table focusing on the current COOP The Word and the Wound – And Now You Are Ready to Sing.

 

We look forward to welcoming you in our space and to thinking and singing together!


Image description

Aerial view of a circle of people seated on a floor with blue floral-patterned tiles, surrounded by stone columns. Adjacent to the circle is a slightly elevated surface covered with red-tinted carpets and a white fabric, on which lie threads and other undefined objects. On the sides hang two white fabrics featuring paintings of circles.


Accessibility information

  – If I Can’t Dance is located on the second floor with unfortunately no elevator

  – Seated event

  – Gender neutral WC

  – Language: English


Acknowledgements

The Word and the Wound – And Now You Are Ready to Sing is organized in collaboration with the Dutch Art Institute. If I Can’t Dance is structurally supported by the Mondriaan Fund.

If I Can’t Dance
WG-Plein 881

1054 SM Amsterdam

 

Tickets: €7.50 & €5 (students)

Voice as Landscape

horseshoe to heart / togethers in motion

Performance Programme

Saturday 24 May 2025, 16:30–23hr

For Amsterdam Art Week’s West Night, If I Can’t Dance is thrilled to host the second day of horseshoe to heart / togethers in motion, a performance programme by Voice as Landscape.

 

After an evening at Stichting Perdu on 23 May, the programme unfolds into a day-long gathering — an invitation to experience the different materialisations of time in daily life through eating, shifts in light, mood, and place.

 

The programme begins in the afternoon at Emmaplein with an offering of food by Kaixin Chen and Sankrit Kulmanochawong, followed by a guided collective siesta by artist Aitana Cordero. The gathering then gently moves to the WG-terrain for artists María Jerez and Élan D’Orphium’s imaginaries of inter-species communication. With the change of light, the programme enters the If I Can’t Dance theater for a dance performance by artist duo Kike García and Jesús Bravo, and culminates with a concert by artist, musician and composer Phantom Wizard.

 

Voice as Landscape is a performance platform focused on the relationships between body, vibration and territory. It is also an editorial line at Perdu, where it explores poetic experimentation beyond verbal language and into other fields. Voice as Landscape is initiated and curated by Alec Mateo and Lorenzo García-Andrade. This year, Voice as Landscape is working with the notion of ‘correspondence’, both as a theme and as methodology.

 

Programme*:

16:30 Gather at Emmaplein

17:00 Dinner with Kaixin Chen and Sankrit Kulmanochawong

19:00 La Siesta with Aitana Cordero

20:00 Gather at old plane tree in front of If I Can’t Dance, WG-Plein 881

20:15 Reclamos with María Jerez and Élan D´Orphium

21:00 Paisaje Tres with Kike García and Jesús Bravo at If I Can’t Dance theatre

22:00 Phantom Wizard at If I Can’t Dance theatre, WG-Plein 881

 

*Subject to change. Final programme will be communicated to participants via email.

 

With Kaixin Chen & Sankrit Kulmanochawong, Aitana Cordero, Kike García & Jesús Bravo, María Jerez & Élan D´Orphium, Phantom Wizard

 

Curated by Voice as Landscape


Image description

A pair of dancers in a slow-dance embrace. One partner, possibly male, faces the camera with short brown hair. Their head is bowed, resting softly on the other’s shoulder. The other dancer, less tall, and is seen from behind. They wear a flowery shirt and have short white hair.

 


Accessibility information

  – If I Can’t Dance is located on the second floor with unfortunately no elevator

  – Seated event

  – Gender neutral WC

  – Language: English


Acknowledgements

horseshoe to heart / togethers in motion is co-hosted by Perdu and If I Can’t Dance and supported by het Cultuurfonds (with support by the Ludo Pieters Gastschrijver Fonds), Acción Cultural Española, and the Spanish Embassy. If I Can’t Dance is structurally supported by the Mondriaan Fund.

Emmaplein, WG-Plein & If I Can’t Dance, Amsterdam

(meeting point at Emmaplein at 16:30hr)

 

Tickets

2024-25
Master course
DAI-COOP

The Word and the Wound 2 / And Now You Are Ready to Sing

Course

2024-25